I have been very happy to have taken from a large variety of dance instructors and dance styles over the last 20 years of my dance journey. There have been quite a few instructors that I have really enjoyed their work and only a few that did not go so well. The variety of styles range from Egyptian and Turkish bellydance, Persian, Khaleegy, Odissi, Bharatanatyam, American Tribal Style, Improvisational Tribal Style, Flamenco, West African Dance, Jazz, Hip Hop, the list goes on. The variety of dance classes I have participated in has really cultivated my love for dance, my artistic expression and my teaching style. It has been fulfilling, challenging, and beautiful. This is why I encourage my students and troupe members to take other dance forms and from other instructors.
I would love to think this is common, but over the years I have witnessed this not being standard practice. I have had one of my own troupe members take great issue when I suggested another instructor in town while I was gearing down for a break before the surgery I had on my brain tumor (explanation on this below). I have also heard from other students who stated that their belly dance teachers refused to allow them to take any workshops from out of town instructors or classes from local teachers. They would face humilating reprocussions, I was told by several. They were even discouraged from attending local events unless it was mandated by their teacher. I have spend alot of time reflecting about this.
Why will I continue to encourage students to explore options in dance?
1. As in one of my previous blog post , I do not teach in order to make money. So if a student or troupe mate finds a different style or teacher that is more convenient or more in line of what they are looking for, that is a good thing. It is about them, not me. I have said before that I may not be the right teacher for everyone and this may not be the right style. No harm, no foul. Dance should be a beautiful addition not a stressful event.
2. Different styles will add to the current style they are studying. For example, Flamenco helped me so much with my arm work and posture for American Tribal Style. Rajasthani helped me with my spinning technique. Jazz and hip hop added transitional moves to my fusion dance style, etc.
3. Choreography has flowed much more smoothly since I have a large base of movements and styles to choose from. Taking new classes in different styles may also assist my students whether they are working on solo or group choreography.
How have I been able to assist a student with finding other instructors and styles?
1. I take classes and workshops from other instructors in other styles. It gives me good information based on my own experience.
2. I network with other instructors. I often speak with other instructors and ask them questions about their training and classes. Some get very upset with me for this, but how can I successfully recommend another teacher if they are unwilling to share information with me and why would I take their classes/workshops if they are so secretive about their training and current style. For example, I had asked an instructor what style do the teach because the advertising was vague. They said, you now, the "real"tribal. Ok, but what does that mean exactly, everyone else's is fake? Or is "real" the name of the instructor you learned from? I spoke another teacher who advertised that she taught "tribal fusion" but could not explain to me what tribal was or what she was fusing it with. This sort of information is very useful when looking for an instructor in a particular style, in my opinion. Hopefully networking with other instructors will lead to a productive exchange of information that could be useful to the community.
3. I have also checked on a few references that some teachers list on their page or verbally state as their main teachers or mentors. While many have been backed up, I have found some inconsistent information being relayed. It is embarrassing to ask a highly ranked professional about so-and-so listing them as their main instructor and getting the reply, "Who the fuck is that?" I always make sure that if I list someone as a mentor than they actually know me and can vouch for me. And I generally do not list a "teacher" or "mentor" unless they do know me and can articulate my training with them to others. And if I have taken less than than 10 workshops with out of town instructors, I generally don't list them in my instructors section at all. I may list them as having "taken a worshop with" or "a few workshops with." That is my philosophy. I never want anyone to hear the dreaded "Who the fuck is that?" or get the blank stare I've seen when they ask about someone I have credited with my dance technique.
4. Attendance at shows to see the dance style of the instructor in person has been useful too. Being able to witness and support the artistry of others is a fun and truly beautiful thing.
5. Checking out webpages and videos, if no other options are available, has been a useful tool as well. You can usually find out, at least some, information online.
What helps me recommend another teacher if the above has not occurred?
1. If I am in a show with them or hosting a show they are dancing in, it helps if they are professional with the promoter and other dancers. Specifically they are on time to the event, they are nice backstage and supportive of other dancers and promoter. I have seen some rough and tumble arguments and rude behavior backstage that has been very influential in my ability to recommend another instructor. On the flip side, I have met some amazingly lovely dancers/instructors backstage that I can talk up and recommend with sincerity.
2. They have not tried to poach students or troupe members from me or other instructors/directors that I know. This is what prompted my troupe mate to get irritated with me for recommending that other teacher when I was ill. I recommended someone who was known to be a poacher and she was very unhappy about that. And I get it. The goal of teaching dance is at it's most beautiful when it is treated as art and not a business or a presidential campaign. However, looking at this through an artistic lens and thinking solely about my student's growth, I felt since I would be in recovery for a few months, it was not fair to recommend another local instructor, even if they had not been nice to me in the past and had tried the unethical practices of poaching. I learned my lesson on this one through my troupe mates anger.
3. Finally I am always honest with the student. I have stated at times that I do not have anyone specific to recommend based on my own experience but I always encourage them to give a new style or instructor a try on their own, if they are interested.
While I have some general guidelines on how I recommend teachers, I will still continue to do so whenever I can. I will still explain to my students about other dance styles and music and instructors, locally and out of state, which can help them grow as an artist. In some ways, I am saddened that this is not standard practice, but I don't mind standing out in this regard. I love dance in all it's forms and I wish to help others feel the love too. If my students do not want to take another style or from another teacher, that is totally their choice. Again it's about them, not me. But I do like to be supportive and provide options when they want them. Feel free to leave your opinions and/or advice on how you handle this issue as a student and/or a dance teacher.














